모마 Sol LeWitt

새로 리노베이션 한 모마에 잘 어울리는 솔 르윗 의 설치 작품이다.
앉아서 쉬는 의자까지 완벽하게 블랙으로 맞추었다.
3면이 블랙벽에 화이트로 그려진 작품이고 한 면은 모마의 조각공원이 보이는 통유리다.
휴식이 절로 된다.
고흐의 '휴식' 이 현대화된 모습으로 다가왔다.

http://moma.org/exhibitions/exhibitions.php?id=9696&ref=calendar

Focus: Sol LeWitt
December 5, 2008–June 29, 2009

 

Over the course of his prolific, influential career, Sol LeWitt (American, 1928–2007) produced more than 1,200 wall drawings. This installation, which fills a single large gallery, features one of LeWitt's celebrated examples from the Museum's collection, Wall Drawing #260 (1975). The work's subtitle serves to describe the installation: "on black walls, all two-part combinations of white arcs from corners and sides, and white straight, not-straight, and broken lines." Although LeWitt's wall drawings evoke the tradition of Italian fresco paintings, they have established a distinct tradition of their own, in which linear systems, determined by LeWitt in advance, are carried out by others, be they artists, trained assistants, or novice volunteers, based upon his instructions. LeWitt compared his role to that of a composer who creates a score that may be played by musicians for generations to come. The concept—or score—remains constant, but the wall drawing, like a musical performance, will vary slightly each time it is realized anew.